256 Oscillators

by Hotzing Tone

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Adam He is a creative practitioner with a background in architecture and photography. His recent work focuses on digital audio synthesis and algorithmic composition, which he explores mainly through performance-based electroacoustic music under the name Hotzing Tone.

何政東是一名曾經從事建築和攝影的創意工作者,近年專注於研究數字音頻合成和算法作曲,並以 Hotzing Tone 為名,通過電子音樂現場表演作為主要媒介進行探索。

This is the live recording of Adam He’s algorithmic music performance on 2nd April 2019, at SET Dalston Lane, London, as part of the collective performance presented by the cohort of MA Computational Arts and led by Prof. Atau Tanaka from Goldsmiths, University of London. In this work, 256 oscillators from Max/MSP are used to construct dense matrixes of sounds distributed and folded linearly in time and exponentially in frequency. By deploying sounds across multiple channels, the algorithm is meant to create an architectural experience of rhythms.

2019 年 4 月 2 日,倫敦大學金匠學院計算機藝術專業的碩士研究生由田中能教授帶領,於倫敦 SET Dalston Lane 呈現了一系列演出。此專輯收錄其節目之一,何政東的算法音樂表演的現場錄音。這個作品以 Max/MSP 程序調用 256 個音頻振盪器,構建出緊密的聲響矩陣,其單元在時序上以線性,在頻率上以指數性的形式分佈並折疊。程序通過多聲道佈局,意圖用算法創造出一種對節奏的建築性體驗。

Photo by Atau Tanaka



released October 9, 2019


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